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Dejan Vučković

Jedan od naših najboljih i najaktivnijih snimatelja, producenata, jedan od glavnih ljudi studia Barba, razgovara sa vama na temu muzičke produkcije.

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Old 26-01-2010, 01:13 PM   #1
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Koliko se, generalno, razlikuje tvoj pristup live radu (koncerti, nebitno da li se snimaju), od snimanja u studiju? Izbor mikrofona, bitnost preampa, analogne/digitalne mixete, inear/floor monitoring, omiljene spravice.....
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Old 26-01-2010, 01:36 PM   #2
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Default Re: Live

Extra pitanje,i mene zanima tvoje gledisthe na PA sound design.
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Old 26-01-2010, 01:39 PM   #3
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sa ovakim mixerom frke nema

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Old 26-01-2010, 08:12 PM   #4
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Default Re: Live

Quote:
Originally Posted by OFF View Post
Koliko se, generalno, razlikuje tvoj pristup live radu (koncerti, nebitno da li se snimaju), od snimanja u studiju? Izbor mikrofona, bitnost preampa, analogne/digitalne mixete, inear/floor monitoring, omiljene spravice.....
U sustini, koncert je veliki studio, sa velikim main monitorima

Zadnjih 2 godine radim najvise na Yamaha PM5D, koji je stvarno odlican mikser, tako da od outboarda vise ne nosim prakticno nista.

Meni licno je najbitnije na prvom mjestu kako je setupovan sistem, na koliko Hz su rezani subovi, koliko su okasnjeni i kako su konfigurisani. Cini mi se da je tu 80% problema, i kad to rijesis, ostalo ide lako. Ako iz bilo kojeg razloga nisam u mogucnosti da promijenim sami setup u master skretnici, prvo sto cu da uradim je da pustim CD i da probam da na master grafickom EQ pobijem 2-3 dominantne rezonance ispod 150 Hz. Obicno to pomogne, i najcesce nema potrebe za daljim cackanjem na visim frekvencijama. Logika mi je uvijek da ako CD svira kako treba, onda nema razloga i opravdanja da miks koji napravis bude los. Ako ne zvuci dobro, znaci da imas problem u miksu, i da nije do sistema.
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Old 26-01-2010, 08:24 PM   #5
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Sta ima na tom CDu?
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Old 26-01-2010, 08:26 PM   #6
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Ima neki moj izbor pjesama koje "znam" kako "treba" da zvuce Vjerovatno i ti imas neke pjesme koje ti sluze sa slicnu stvar, to je veoma individualno
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Old 26-01-2010, 08:59 PM   #7
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Ma, nisam mislio na konkretne pesme, nego na karakter muzike i bassa pre svega
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Old 26-01-2010, 09:12 PM   #8
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Ok, evo nekih pjesama koje su MENI korisne, pa zakljuci iz toga:

Sting-A Thousand Days (najvise zbog onog suba na pocetku, mada i kroz pjesmu taj bass svira cijele note, pa je zgodno jer sigurno pobudi prostor)

Rascall Flatts- There you are (opasno smiksano, i posto je country twang pjevanje, odlicno da cujes koliko je sistem neprijatan izmedju 1 i 3k)

Martina McBride- If I had your name (intro akusticna gitara, odlicno da cujes kako rade visoki)

Ian Brown- Kiss Ya Lips [No I.D.] (sekvencirani bass, super za slusanje efikasnosti woofera)

Thom Yorke- The Clock ( jako mnogo kratkih semplova, super za tranzijente)

Peter Gabriel- Sky Blue (istovremeno shaker i jako nizak sub)

Puscifer- Queen B (super je bubanj, valja i za sub i za tranzijente)
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Old 26-01-2010, 10:33 PM   #9
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Hvala!!!!
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Old 01-02-2010, 03:43 PM   #10
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Mnogo hvala!
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